Tag: Cannes Festival

Cannes Festival 2019

You would not expect Jim Jarmusch to make a horror film about zombies. Or The Cannes Festival, for that matter, to open the programme with the result. But that’s what happened this year, and the smart opening night audience seemed

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Cannes 2018 roundup

Cannes 2018 was strange affair, punctuated by controversy (the refusal to screen Netflix films unless they were guaranteed cinema exhibition, and the march up the red carpet by 80 or so women, lead by Kate Blanchett, head of this year’s

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Cannes 2018

There are plenty of big names to come, but the first week of the Cannes Festival was rather less than uplifting. This, after all, is the most prestigious film festival in the world and one expects a lot. But the

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Cannes Festival 2018

There may be no British film in the competition at the Cannes Festival this year, but at least one of the hot stories of the crowded annual jamboree concerns Terry Gilliam of Monty Python fame, whose The Man who killed

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The Transfiguration and Personal Shopper

You do not expect vampire movies and ghost stories at the Cannes Festival. But this time round we got both. The most impressive of the two new films was New Yorker Michael O’Shea’s The Transfiguration, in which Milo, a black teenager

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Loach and co at Cannes

There are few certainties at Cannes. But one of them is that British veteran Ken Loach will get an ovation for any new film he cares to put before us. The last time he was at Cannes with Jimmy’s Hall,

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Cannes Opener: Café Society

If you never know what you are going to get from Woody Allen, a director who writes notes on an old typewriter which do not always translate into great movies, the same could be said for the Cannes Festival’s opening

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Queen and Country

It seems such a waste of talent that John Boorman has had to wait since The Tiger’s Tale in 2006 to make another movie. At last there is one and, judging by the applause at the Directors’ Fortnight, Queen and

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The Captive

Canadian director Atom Egoyan’s story has a small girl taken from her father’s car while he is shopping. Years later, he is still searching for her and discovers the nasty secret of the abduction. The film works up to a

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Malian director Abderrahmanne Sissako’s film tells what happens in Timbuktu when Islamist fundamentalists take over the surrounding area. Music is forbidden, as is football, and adulterers are buried in sand up to their heads and stoned to death. Sissako’s style

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