Author: Derek Malcolm

Christine Keeler

10 years ago I was unexpectedly outed as Christine Keeler’s “favourite public school lover”. I remember Roger Alton, then of The Times but formerly the opening bat in the Guardian cricket team I captained, pleading with me to tell all

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Shashi Kapoor obituary

I was once taken to a cricket match in Bombay by Shashi Kapoor, the great Bollywood star, who has died aged 79 after a long spell of illness. As his open-topped car sped from his house to the ground, whenever

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Films not to miss from Venice

Frederick Wiseman’s Ex Libris: New York Public Library Wiseman’s three-hour plus Ex Libris is not what you’d expect. It’s an eloquent summation of one of the greatest libraries in America, and possibly the world, where talks, discussions, concerts, instructive courses

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Venice Festival 2017

Not long ago the head of the Cannes Festival was invited to Venice’s equivalent and was heard to say: “There is no danger to us here”. If it is still true that Cannes is the foremost film jamboree in the

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Cannes Prizes

The weather was fine throughout, the security as tight as expected, the films were okay but not much more than that, and there were a record number of women directors and actors among the prize-winners. Thus the 70th Cannes Festival

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Cannes 2017: How to Talk to Girls at Parties, Jeannette: the Childhood of Joan of Arc, The Venerable W, Faces Places

I’ve no idea how to speak to girls at parties. But after seeing John Cameron Mitchell’s film How to Talk to Girls at Parties, I’m no less confused. The film, the first Mitchell has made in seven years, is set

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Cannes 2017: 120 Beats Per Minute, The Meyerowitz Stories & Redoubtable

What with a bomb scare at the Debussy Theatre where the most important press shows are held and a sudden electrical failure on the railways which cut many festival-goers off from their cheap hotels outside Cannes, the 70th Festival was

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Cannes 2017: Loveless, Wonderstruck, Sea Sorrow, & Barbara

They say this will be the best Cannes Festival for years, and it does look good on paper, what with a bevy of Hollywood stars due to turn up (Nicole Kidman, for instance, is in no less than five different

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Venice Awards 2016: A big prize for a long film

Do Film festival awards mean anything anymore? Some doubt it if the successful film is American and full of stars. That sort of movie will find its way with or without prizes at Berlin, Cannes and Venice, the three major

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Fact as fiction or fiction as fact?

How do you dramatise history on film without adding a large dollop of fiction to the mix? Many have tried and most have failed. But Pablo Larraín succeeds better than many with Jackie, the story of Jackie Kennedy, giving an

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